All the artistic aspects - the creative process, choice of media, the presentation/context and above all the observer - play an important role in this.
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Her aim is to create 'a total world that carries the viewer along with it and presents them with the choice: either accept and submit unreservedly or walk away'.
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Stoner works in the medium of paint, which is not an obvious choice, since the worn out, nonsensical question of whether painting is relevant pervades and corrupts looking itself.
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The slowed-down, contorted movements of the female dancer and the meticulous care that has gone into the choice of clothing, make-up and lighting lend the work a certain intensity and drama.
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Moreover, the choice of these fragments, the tone and attitude adopted by the “speakers,” undoubtedly correspond to certain implicit expectations on the artist's part which underlie all human relations.
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The choice of location was inspired by the neo-existentialist novel 'Concrete Island' by JG Ballard; an allegory of alienation in which the protagonist finds himself marooned on a scrap of land encircled by highways.
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She believes that the choice of medium plays a major role in the way images are interpreted and ‘believed’, as does the interaction between image and text - the impact of headlines on newspaper photographs and vice versa.
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For its group exhibition ‘Capricious’ the SMBA has chosen work by six photographers who are searching for an alternative way to handle the medium – a way that is not only expressed in their choice of subjects, but especially in the manner in which they present their photography.
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Like the artists in the 1970s who reduced painting to its ‘fundamental’ qualities by making the choice of paint, paint application and support their subject, in Mater’s recent work one specific element that is almost exclusively restricted to photography becomes central: flash lighting.
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Alexis Blake’s The hole is greater than the sum of its parts, is an installation based on recent conversations Blake had with a philosopher who used rational choice and game theory to theorize Blake’s position as an artist in the residency and her choice to choose choice as her topic of inquiry.
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