Cultural diversity, according to Bhabha, acknowledges a range of separate norms and values, but maintains a colonialist prejudice that these differences are aberrant or exotic.
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The players accept that there are differences and try to integrate them in their own performance, without having to consider and pin down the piece in its original cultural context.
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Their society is characterised by gender equality, the right of women to choose their partners and the absence of marriage, the nuclear family, private property and class differences.
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Striking differences from the socially-oriented work of the avant-garde of the 1960s, however, are that their art is far less activist, more personal and poetic in character and not at all anti-institutional.
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These works were created independently of one another, but by inviting the two artists for one exhibition, both the significant differences between them and their sometimes strong correspondences are emphasised.
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In inventiveness, subtlety, aesthetics and daring, their work easily matches an awful lot of art, yet there always remains a fundamental difference and various facets of this are shown in the Loud & Clear series of DVDs.
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The difference in the angle of the latter approach, that of artistic interpretation of an historical event, is that the artists’ relationship with the referenced moment is based on a pure infatuation with a specific happening.
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The difference in the angle of the latter approach, that of artistic interpretation of an historical event, is that the artists’ relationship with the referenced moment is based on a pure infatuation with a specific happening.
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The use of series forces the viewer to look more carefully, to observe the slight differences in the empty sky with its floating clouds, in the position of the camera, in the countryside or the location of an industrial vehicle.
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At Tate, Paul co-programs events such as The Status of Difference (ideas/debate series, 2008-2010), Conversation Pieces (ongoing artist talks series), Global Modernities (Tate Triennial conference, March 2009) and Afrodizzia (Late at Tate, Feb 2010).
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