Facing Forward: Art & Theory from a Future Perspective draws attention to a number of important social and specifically artistic themes which are closely related to this hybrid 'discourse of the future.' What will art and art theory bring us?
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Facing Forward: Art & Theory from a Future Perspective draws attention to a number of important social and specifically artistic themes which are closely related to this hybrid 'discourse of the future.' What will art and art theory bring us?
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The hybrid of art and fashion that Viktor & Rolf so distinctively--so uniquely--make cannot be measured against art or fashion alone, but must be measured against something larger and more important than either privileged discourse or either outreach to the rich and elect.
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The research is designed to arrive at a critical discourse: it is after all about how our images of Africa are shaped, and how we seek to nuance this with the support of visual art, and not about ‘development work’ which reinforces the average European citizen’s dominant image of Africa.
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During and after the Israeli military operation, images from Lebanon’s recent past (the civil wars of 1975-1990) inundated public realms (space and psyche) as well as discourse – becoming, at times, very difficult to endure – proving that the Lebanese wars (regarded as Catastrophic) are still cast in the unspoken.
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Previous exhibitions and presentations from ‘The Ens Project’ include The Handmaiden; Liverpool at Metal at Edge Hill station in Liverpool, One’s History is Another’s Misery at Autocenter Berlin which subsequently travelled to Stedelijk Museum Bureau Amsterdam, The longMarch of Displacement at St. Paul’s Cathedral, Emerging Discourse Part 2: Performance and Mimicry at Bodhi Art New York, ens memoralis at the National Portrait Gallery and After Walter a performance interpretation of Walter Benjamin’s “An Artwork in the Age of its Technological Reproducibility” which was broadcast on Resonance 104.4FM, London’s premiere art radio station.
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Previous exhibitions and presentations from ‘The Ens Project’ include The Handmaiden; Liverpool at Metal at Edge Hill station in Liverpool, One’s History is Another’s Misery at Autocenter Berlin which subsequently travelled to Stedelijk Museum Bureau Amsterdam, The longMarch of Displacement at St. Paul’s Cathedral, Emerging Discourse Part 2: Performance and Mimicry at Bodhi Art New York, ens memoralis at the National Portrait Gallery and After Walter a performance interpretation of Walter Benjamin’s “An Artwork in the Age of its Technological Reproducibility” which was broadcast on Resonance 104.4FM, London’s premiere art radio station.
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