This bizarre game of onion tennis is at once perversely masochistic, because of the self-directed aggression, and rather comic, owing to the slapstick gestures with which the slightly built protagonist seeks to defend herself against the vegetable bombardment.
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Where the French masters tried to penetrate and convince through more or less realistic depictions and virtuoso renditions, through dramatic renderings of actions, gestures and facial expressions, Ophuis makes images that are emphatically discontinuous and constructed.
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