She tried to influence this process by ?feeding? the animals with flashy odds and ends, strips of celluloid film and photos clipped from art magazines and other sources.
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She tried to influence this process by ?feeding? the animals with flashy odds and ends, strips of celluloid film and photos clipped from art magazines and other sources.
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She tried to influence this process by ‘feeding’ the animals with flashy odds and ends, strips of celluloid film and photos clipped from art magazines and other sources.
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She tried to influence this process by ‘feeding’ the animals with flashy odds and ends, strips of celluloid film and photos clipped from art magazines and other sources.
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Gego’s work is influenced by her emigration to Venezuela from Nazi Germany in 1939; it centres on investigating the complex influences and relationships between Latin America and Europe.
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Only when you are aware of this influence are you in a position to go beyond this connotations and create an image that not only contains references but which always gains a new intention.
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This impact in turn leads to the Kontingenz of the title: the term from German sociology referring to the observation that everything that we try to communicate is contingent upon so many factors and influences that the actual results appear to rest primarily on chance.
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Especially the influence Laura Mulvey’s groundbreaking 1975 essay ‘Visual pleasure and narrative cinema’ can be felt, in which the author analyses the psychological, if not scopophilic structures that typecast women in mainstream film as raw, passive material for the male gaze.
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Klein’s issues regarding the threadbare perception and experience of the urban environment, influenced by factors of all sorts, are illuminating for the project ‘Any Resemblance to Existing Persons is Purely Coincidental (Stories of Mr. Wood)’ by photographer Martine Stig and graphic designer Vanessa van Dam.
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Twan Janssen (1968, Milsbeek, Nl) and Sands Murray (1974, Topeka, Kansas, USA) both address the social persona of the artist in their work; the artist's role in the 'art world' -the field of power within which art dealers, curators, museum directors, critics, collectors and public all assert their own influence.
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