
28 definitions of pattern
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As well, he chooses not to edit, refusing the use of montage to manipulate our look and to tell a story following the traditional dramatic pattern of accelerating action, climax and denouement.
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Past Botafogo beach, the water dotted with hundreds of little sailing boats, through the tunnel, then a right turn into the Copacabana boulevard, past the meandering patterns of Burle Marxs street mosaic.
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As with the the artificial communities, Nouwens photographs the churches front-on, often focusing on their patterned surfaces and on the scraps of text or symbols which identify them and describe their purpose.
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They can be regarded as a symbolic ‘intercom’ for the chaotic, mystic ideas, emotional patterns and cultural misinterpretations that float between the inner depths and the relatively ‘thin’ state of consciousness that rules our daily lives.
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An original and insightful thinker, Benedict Anderson questioned the patterns and the meeting points that are to be found throughout geographies, times and power structures that lead to formations of identities and various senses of belonging.
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But the bourgeois patterns that lie at the heart of the soap are rapidly ruptured as the duo involves disciplines other than the soap, such as dance, theatre, and performance art, where fact and fiction are so perpetually interchanged that they are impossible to separate.
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This feeling is triggered by the alternating objective and subjective camera movements and the rather abstract footage in the form of, for instance, the grid pattern of the square in front of the old gas factory or the patch of unadorned grass at the slope of a railroad track.
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The realistic version of the world has the media as an ideal means of conveyance, but can also exist outside the media, in the conversations, thoughts and fantasies of people who are well trained by the media and are able to continue and imitate the same patterns all by themselves.
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By employing strategies of spatio-temporal montage, Vulsma brings together objects and patterns taken from their contexts in ethnographic collections and the canons of modernist design and photography, deliberately moving back and forth along the lines between what is classified as commodity, art or ethnographic object.
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