Marianne Vierø (b. 1979) is still best characterised as a still-life photographer for whom the physical still-life is sometimes as important as the photograph of it.
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The woman standing on the church square in Delft was so accustomed to experiencing national events in television form that the 'small', physical version confused her.
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Is it possible that a work in which the space of Bureau Amsterdam is turned into an almost literal duplication of its physical appearance could be by the same artist?
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We know installations almost exclusively from photographic reproductions, even though the physical experience of installation art is one of its most essential aspects.
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In psychology anhedonia means the incapacity to enjoy generally ?pleasant? experiences such as, for example, eating, physical activity or social or sexual interaction.
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Marianne Vierø (b. 1979) is still best characterised as a still-life photographer, for whom the physical still-life is sometimes just as important as the photograph of it.
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Although physical character of the exhibition space at Bureau Amsterdam is hardly an exemplary white cube, it still adeptly evinces the same modes of behaviour in its visitors.
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In psychology Anhedonia is the inability to experience pleasure from normally pleasurable life events such as, for example, eating, physical activity or social or sexual interaction.
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For their work The New Collagists extract images, language and poses from the mediatised public field and bounce these back to the viewer in physical form via their performative collages.
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For their work The New Collagists extract images, language and poses from the mediatised public field and bounce these back to the viewer in physical form via their performative collages.
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