These are elements of Van Harskamp's oeuvre that take shape in intensified, and often humorous ways in the kaleidoscopic Any other Business.
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His doubts about using such a homogenous, closed shape to reconstruct something so complex inspired him to create his own version of the sculpture.
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A good example of the way he works is a sculpture that with its cruciform shape is directly inspired by the aggressive appearance of anti-tank barricades.
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the shapes of the letters resemble rough images of the objects they name: the A is the stylised head of an ox, the O is an eye, the M is undulating water.
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From the second arm, opposite a shapeless lump made of pieces of light-blue Roofmate (roof insulation material), hangs a schematically designed cardboard house.
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The work combines the idea of a simple grave monument (such as a mastaba, the box-shaped predecessor of the pyramid) with the possibility of manipulation by the viewer.
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A fascination that was given form when she consciously designed the space between the body and the clothes, whereby the external shape became interpreted as a left-over.
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According to the Dutchman Franciscus Mercurius van Helmont (1614-1699), during speech the tongue, palette, uvula and glottis automatically assume the shapes of Hebrew letters.
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The research is designed to arrive at a critical discourse: it is after all about how our images of Africa are shaped, and how we seek to nuance this with the support of visual art.
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The research is designed to arrive at a critical discourse: it is after all about how our images of Africa are shaped, and how we seek to nuance this with the support of visual art.
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