Among these were a Medardo Rosso-like bust with its mouth wide open, placed on a rickety table (Gedanken Kommen Zurüch Bitte, 2000), a transparent kitten crouched on a wooden catwalk between two sheets of glass (Glaskatzensex/ Transparent Tale, 2000) and something that looked like an incinerated filmset for an idyllic 'Heidi' pastoral, titled 'Remembering the Polyester Pirate (Instant Apathy)'.
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