It makes it clear immediately that the unreal is not the same as fiction, madness, fantasy or something supernatural.
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Matthews sharpens the viewer's gaze (willingly or not) for the disturbing effect emanating from the unreality in Mik's video.
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But their work does constantly mark the meeting-point between the unrealities of art and the real, audio-visual version of the world.
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Art can be festive and funny, optimistic and sexy, but it always derives its strength from evoking, giving form to and manipulating the unreal.
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Where the actual experience and the realistic version of the world collide or leave each other in the lurch, that's where you experience unreality.
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My Daughter shows very well how much the unreal is simply a part of our world, but also that a careful, subtly made film is needed in order to make this experienceable.
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By this wavering between natural order and the unreal, this rhythmic game between strangeness and suggestiveness would play about somewhat with the order of vision and dreams.
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You could say that each DVD shows a relay, beginning in the sovereign hills of music where meanings are scarcely to be found, via the unrealities of art to the pseudo-reality of advertising.
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Its colours and the attention to the hand hanging down (which could be a hand from a drawing by Leonardo), for example, continually refer to works of art and the way of seeing that they invite.Nothing invented, nothing acted, no representation of madness or fairytale-like intimations of the supernatural, and yet thoroughly unreal.
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It is exactly the role assigned to imagination or magic in Moti’s film, which puts in to place three strategies: it recaptures the dialectal excess that surrealism has itself put in to place (the waking dream, the contamination between the fictional universe and the real universe, the surpassing of the real/unreal dichotomy by the surreal); on the other hand, he turns to the performativity of fiction, which brings a “reduction of ways of speaking and of levels of meaning”8.
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